Jimmy Page Equipment Guitars and Amps used throughout career

A list of Jimmy Page Equipment used by him throughout his career. Discover what Jimmy Page gear use used in studios, albums and live on stage. Below is a list and images of all of Jimmy Pages gear used throughout his career.

A Glimpse into the Arsenal: Jimmy Page’s Legendary Equipment

Throughout his illustrious career, Jimmy Page’s iconic sound sculpted by a diverse and constantly evolving array of guitars, amplifiers, and effects pedals. While he is perhaps most famously associated with his “Number One” 1959 Gibson Les Paul Standard and powerful Marshall Super Lead amps, his sonic palette far richer. Early in Led Zeppelin’s career, and even before with The Yardbirds, the Fender Telecaster, notably his “Dragon” Tele. Played a crucial role in shaping his distinctive tones, especially on the debut Led Zeppelin album.

Beyond these mainstays, his arsenal included the majestic Gibson EDS-1275 Double neck for live performances of epic tracks like “Stairway to Heaven.” As well as Danelectro guitars, various Fender Stratocasters, and a range of acoustics like the Martin D-28 and Harmony Sovereign. On the amplification front, alongside the formidable Marshalls, Page experimented with Supro, Vox AC30s, Hiwatts, and even Orange MatAmps. His experimentation extended to effects, with key pedals including the Sola Sound Tone Bender fuzz, Vox Cry Baby Wah, Maestro Echoplex for its iconic tape echo and preamp boost, and later, the MXR Phase 90 and even a DigiTech Whammy pedal. This continuous exploration of gear allowed Page to push boundaries and define the very sound of rock and roll. Discover what guitar did Jimmy Page play?

Guitarist of Led Zeppelin used Jimmy Page amps

What amp did Jimmy Page use:

Marshall SLP-1959 100-watt amp, modified with KT-88 tubes, which boosted its output to 200 watts. Of of the favourites of Jimmy Page amps.

Vox AC-30, Hiwatts, Fender Dual Showman, Fender Vibro-King and Orange MatAmps with the Theremin.

Here are some Fender amps Jimmy Page is known to have used:

• Fender Dual Showman: He used blackface Fender Dual Showman amplifiers with Fender 2×15 cabinets in mid to late 1967, particularly during his time with The Yardbirds and the very early days of Led Zeppelin.
• Fender Vibro-King: This amp is mentioned in connection with his equipment, though its specific use might have been later in his career or for more specific recording projects rather than his main live rig.
• Fender Super Reverb: Some sources also mention the Fender Super Reverb in his amp collection.

What Marshall Amps He Used:

Page’s Marshall rig primarily consisted of 100-watt heads, with some key modifications:

• Marshall JMP Super Lead 100W (Model 1959 “Plexi”): This is arguably the most famous Marshall associated with Jimmy Page used gear. The “Plexi” refers to the plexiglass front panels used on these amps from 1965 to 1969 (though the name stuck even after they switched to brushed metal panels). Page used these extensively throughout Led Zeppelin’s touring career.
  • Modifications: Page often had his Marshall amps modified. One notable modification, particularly on his 1969 Marshall JMP Super Bass 100, done by amp tech Tony Frank. Page referred to this as “the best amp that I’d ever had in my collection,” stating it was his principal amp for recording and live work from 1969 and is the amp heard on Presence. These modifications often made the amp cleaner than a typical Super Bass or Super Lead. Equally, allowing him to push it harder for saturation without excessive mush, and potentially increased the output to around 200 watts by using KT-88 tubes (though there’s ongoing debate among enthusiasts about the exact tubes and wattage).
• Marshall Super Bass 100W (Model 1992): While designed for bass, many guitarists, including Page, found these amps offered a slightly smoother tone with less aggressive gain than the Super Lead. Making them excellent platforms for modification or for a slightly different clean-to-overdrive response. He would often use these “bass spec” heads.
• Marshall JMP 100W heads: The JMP (Jim Marshall Products) era generally refers to Marshalls produced from the late 1960s through the early 1980s. Page would have used various iterations of these 100-watt heads throughout the 1970s.

Here’s a breakdown of his Orange amp usage:

• Early 1970s (especially 1971-1973): Orange Amps have stated that Jimmy Page began using their amplifiers in the 1970s. More specifically, a press release from Orange Amplification around August 1971 announced that Page would be endorsing and featuring their amps on the next Led Zeppelin tour. He started using them live on August 7, 1971, in Montreux, Switzerland.
• Orange-Matamp OR200: This 200-watt model was notably custom-built for Jimmy Page in 1971. Seen on stage with Led Zeppelin from August 1971 through the 1973 US Tour. John Paul Jones also used Orange OR200 Amplifiers for keyboard duties on some dates during the 1971 US Tour.
• “The Song Remains the Same” (1976 film): You can spot Orange amps in the concert film “The Song Remains the Same,” which was filmed during Led Zeppelin’s 1973 US tour. This further confirms their presence in his live rig during that period.
• Later Usage (e.g., Black Crowes tour, O2 Reunion): While not his primary amplifier, Page has continued to use Orange amps in later parts of his career. For instance, he used Orange AD30s, AD50s, and an OR50 during his tour with The Black Crowes in 1999, and some were also seen at the Led Zeppelin O2 Arena reunion concert in 2007.

When He Used Them:

• July 1969 to November 1971: This is the main period during which Jimmy Page rig consistently used Hiwatt amps. They made their first appearance on stage for the start of Led Zeppelin’s 3rd American tour in July 1969.
• Royal Albert Hall (1970): Hiwatts were prominently featured in his backline during the legendary Royal Albert Hall concert in 1970, which is captured in footage.
• Early-to-Mid Led Zeppelin Period: This places their use firmly in the era spanning Led Zeppelin II (though much of that was Marshall and other amps) and Led Zeppelin III, and into the touring for Led Zeppelin IV (where Marshalls became increasingly dominant).

What Hiwatt Amps He Used:

• Hiwatt Custom 100 (DR103 or similar “Custom Jimmy” spec): This was his primary Hiwatt model. Sources indicate he used both 50-watt and 100-watt versions, with the 100-watt being more prominent.
• Custom Modifications: It’s crucial to note that Page’s Hiwatts were not standard off-the-shelf models. They were often custom-built or modified versions of Hiwatt’s “Special All Purpose” (SAP) amps. These modifications likely aimed to give them more gain and a different breakup characteristic than the notoriously clean and high-headroom standard Hiwatts. Many claim they sounded closer to a “Plexi” Marshall in terms of saturation, but with a bit more clarity and focus.
• Partridge Transformers: Like many vintage Hiwatts, they would have featured high-quality Partridge transformers, contributing to their robust sound and reliability.

EFFECTS Pedals Jimmy Page used equipment

Roger Mayer fuzz box

Sola Sound Tonebender

Vox Cry Baby Wah (Modified by Roger Mayer)

Maestro Echoplex

DigiTech Whammypedal

MXR Phase 90

MXR Blue Box

Pete Cornish

– Tube Pre Amp

– Custom Effect Boards

– Selector/Line Driver

– AC Power Wah

Led Zeppelin’s Jimmy Page guitars

1958 Fender Telecaster

A gift from Jeff Beck in 1966

Originally decorated with 4 silver circles

Stripped down and hand painted by Jimmy Page in late 1966

Stripped down again, painted “Botswana Brown” and fitted with a Parsons B-Bender in 1976

Temporarily swapped rosewood neck to maple neck in April-May 1977

1960 Danelectro 3021

Used in the Yardbirds with White Summer (Apr. 1967-Jul. 1968)

Used in Led Zeppelin and beyond on White Summer/Black Mountain Side, Kashmir and In My Time Of Dying.

Jimmy Page’s 1960 Danelectro 3021, often referred to as the “Shorthorn” due to its distinctive double-cutaway body shape. Also, holds a unique place in his legendary arsenal of guitars. Page acquired this guitar from London’s Selmer shop in 1963, initially for his session recording work. What makes this seemingly budget-friendly instrument so significant is its unique construction. A semi-hollow body made of Masonite (a type of hardboard) with a poplar frame and a rosewood fingerboard, combined with two “lipstick tube” single-coil pickups. This unconventional design contributed to a bright, twangy, and resonant tone that stood apart from his more famous Gibson Les Pauls.
The Danelectro truly came to prominence with Page’s work in The Yardbirds, making its live debut in 1967 on his instrumental piece “White Summer.” Famously used it in “Celtic tuning” (DADGAD) for this track, a tuning he would carry over into his work with Led Zeppelin. With Led Zeppelin, the 1960 Danelectro 3021 became integral to the sound of several iconic songs, notably “When the Levee Breaks,” “In My Time of Dying,” and “Kashmir.” Its distinctive sonic character allowed for different textures and tunings, offering a contrast to the heavier sounds typically associated with his Les Pauls and showcasing Page’s versatility and innovative approach to guitar playing.
 

1960 Gibson Les Paul Custom Black Beauty “stolen Jimmy Page guitar”

Purchased in 1962 for £185.

Used for most of Jimmy’s session work (1963-1966), and was taken on tour from Jan. 1970 through April 1971, when it was stolen at the airport between Sept. 3 or 4, 1971.

The 1960 Gibson Les Paul Custom, famously known as the “Black Beauty,” holds a storied place in rock history. Particularly for its central role in his session work and early Led Zeppelin recordings. Page acquired this magnificent instrument in 1962, a pristine, three-pickup Les Paul Custom with a striking black finish and gold hardware, complete with a Bigsby tremolo. It quickly became his primary guitar during his prolific period as a session musician from 1962 to 1967. Contributing to countless hit songs for artists like Shirley Bassey (“Goldfinger Theme”), Tom Jones (“It’s Not Unusual”), Petula Clark (“Downtown”), and even early tracks by The Kinks and The Who. The “Black Beauty” was known for its incredible tonal versatility, thanks to its three PAF (Patent Applied For) humbucking pickups and Page’s custom wiring modifications. Additionally, which included individual on/off switches for each pickup, allowing for a vast array of sonic possibilities.

The missing Black Beauty guitar

The “Black Beauty” continued its legendary journey into the early days of Led Zeppelin. While his 1959 Telecaster was prominent on Led Zeppelin I, the Les Paul Custom played a crucial role in shaping the sound of Led Zeppelin II. It is widely believed that the “Black Beauty” was the guitar responsible for the iconic riff and much of the lead work on “Whole Lotta Love.” Delivering that signature thick, aggressive tone. Tragically, the guitar was stolen in April 1970 from the Minneapolis–Saint Paul airport while Led Zeppelin was on tour in the United States. Despite Page’s extensive efforts, including placing ads in Rolling Stone magazine, the guitar remained missing for 45 years. It was finally returned to him on November 12, 2015, after a remarkable chain of events that saw it resurface through a vintage guitar shop, much to the delight of Page and rock fans worldwide.

1958 Gibson Les Paul Standard “Number One” guitar

Jimmy Page’s legendary “Number One” guitar is his 1958 Gibson Les Paul Standard, a truly iconic instrument that became synonymous with his sound. Acquiring this prized guitar from fellow guitarist Joe Walsh in California in April 1969 for a sum of £500. This particular Les Paul already unique even before Page took ownership, as its neck had been famously shaved down at the back, giving it a thinner, faster profile. A modification that Page evidently favoured. To further enhance its versatility, Page later installed a push/pull pot on the bridge pickup’s tone control, allowing for out-of-phase sounds and expanding its tonal capabilities.
The guitar’s immense historical and sonic significance made it the master template for the highly sought-after Gibson Custom Shop’s “Jimmy Page Custom Authentic Les Paul” replicas, produced between 2004 and 2007, solidifying its status as one of rock’s most revered instruments.

1959 Gibson Les Paul Standard “Jimmy Page’s Number two guitar”

This “Number Two” 1959 Les Paul acquired by Page in 1973, years after he obtained his “Number One.” It was essentially all original when he got it, but Page quickly set about modifying it to align with his preferences. He had its neck shaved down to a profile similar to his “Number One,” though not quite as slim. The most famous and intricate modifications, however, were to its electronics. This “Number Two” became a platform for extensive experimentation, featuring a complex wiring scheme that included four push/pull pots and additional switches beneath the pickguard. These modifications allowed for a vast array of tonal options, including coil-splitting, series/parallel wiring for the humbuckers, and out-of-phase sounds, making it an incredibly versatile instrument

Gibson based its “Jimmy Page Signature Les Paul” on this model from 1995 to 1998. About 2000 were made with four push/pull pots.

Gibson EDS-1275 Double neck Jimmy Page guitars

Used on-stage from March 1971 to the present.

Serial number is 911117.

Played it on stage for Stairway to Heaven, Tangerine, The Rain Song, and The Song Remains The Same

Gibson EDS-1275 Doubleneck guitar is arguably one of the most visually striking and instantly recognizable instruments in rock history, inextricably linked with the grandeur of Led Zeppelin’s live performances. While Gibson had produced doubleneck guitars since the late 1950s, it was Page who truly immortalized the EDS-1275, making it an emblem of his unique musical vision.

Page first acquired his cherry-red EDS-1275 in 1971. The primary motivation for obtaining this extraordinary instrument was the challenging task of recreating “Stairway to Heaven” live. The studio version of the epic track famously featured both 12-string acoustic and 6-string electric parts, making it impossible to perform seamlessly with a single guitar. The EDS-1275 provided the perfect solution, allowing Page to effortlessly switch between the 12-string neck for the iconic acoustic intro and the 6-string neck for the roaring electric solos and riffs, all without changing guitars.

Double neck Gibson guitar

Beyond “Stairway to Heaven,” the doubleneck became a staple in Led Zeppelin’s live shows throughout the 1970s. Page utilized it for other complex compositions that demanded quick transitions between different voicings, including “The Song Remains the Same,” “The Rain Song,” “Celebration Day,” and “Tangerine.” Its imposing presence on stage, with Page wielding both necks simultaneously, became an indelible image of rock and roll excess and musical mastery.

While primarily a live instrument, Page also reportedly used the EDS-1275 in the studio for “Carouselambra” from In Through the Out Door (1979). The visual impact and sonic versatility of this guitar cemented its place not just in Page’s personal arsenal, but as an enduring symbol of Led Zeppelin’s ground breaking sound and ambitious live spectacles. Even decades later, the sight of Page with his EDS-1275 continues to evoke the magic and power of one of music’s greatest bands.
 

1969 Gibson Les Paul Deluxe “Number three”

“Number Three” Les Paul, suggests a more complex and mysterious history. The guitar is often cited as a 1969/1970 Les Paul Deluxe that was repainted red.

Details of the Jimmy Page Guitar

• Model: Commonly believed to be a 1969 or 1970 Gibson Les Paul Deluxe.
• Original Finish: The guitar was originally a Goldtop.
• Modifications: Repainted cherry red and had its mini-humbuckers replaced with full-sized humbuckers. It also features a “B-Bender” mechanism, which was added later, likely in the mid-1980s. The B-Bender allows the player to mechanically bend the B string up a whole step.

When it was Played and What Songs it was Used on

• Early Use: Page, first seen using this guitar on stage around 1970. Some accounts suggest he acquired it as a replacement for his stolen “Black Beauty” Les Paul Custom.
• The 1973 Tour: The guitar, used quite a bit during the 1973 tour, including the famous Madison Square Garden concerts featured in the film The Song Remains the Same.
• On-stage songs from the 1973 tour: While his “Number One” Les Paul was his main guitar for most of the show, the red Les Paul used for specific songs. In the The Song Remains the Same film, it is notably used for the solo on “Whole Lotta Love.” It may also have been used for other songs in that tour’s setlist, such as “Celebration Day,” “Black Dog,” and “Moby Dick.”
• Later use: After the 1973 tour, the guitar used sporadically, going back into hiding for a while. It re-emerged in the 1980s after the B-Bender was installed and used in the Coverdale/Page project, particularly on the song “Over Now.”

1964 Fender Stratocaster (Lake Placid Blue)

First used 1979. Used on-stage for Over The Hills And Far Away on some dates at Earls Court and In The Evening at Knebworth

1957 Fender Stratocaster

Used in a jam at a Bad Company concert on May 23, 1976

1966 Fender Telecaster Jimmy Page used guitar

Used on-stage on All My Love on the 1980 European Tour

While his “Dragon” Telecaster famously shaped the sound of early Led Zeppelin, Jimmy Page gear also utilized another significant Fender Telecaster. A 1966 Fender Telecaster – later in his career. This particular instrument, with its classic Telecaster chime and bite. Found its way onto the stage during Led Zeppelin’s final European Tour in 1980. Most notably, Page employed this 1966 Telecaster for live performances of “All My Love.” A track from the band’s In Through the Out Door album.

Its use on this specific song highlights Page’s nuanced approach to guitar selection. Equally, opting for the Telecaster’s distinct single-coil clarity and brightness to deliver the song’s melodic lines. Even amidst a touring setup typically dominated by his Les Pauls and Marshall amplifiers. This Fender Telecaster stands as a testament to Page’s continued appreciation for the model’s versatility and its ability to fit different musical contexts throughout his expansive career.

1960s Epiphone Rivoli Bass EB232

Played by Paul Samwell-Smith , Jimmy Page ( June 21, 1966 – Aug. 23, 1966) and Chris Dreja.

2006 Gibson Custom Shop ES-350

Seen in 2007 at the O2 Arena reunion concert for In My Time Of Dying.

Gibson Jimmy Page Goldtop Les Paul Classic Premium Plus

Used from 1993 Coverdale/Page Tour to present, see image below of Jimmy Page goldtop Les Paul

Among his notable instruments is the Jimmy Page >Goldtop Les Paul, often referred to as his “Number Three” Les Paul.
This Goldtop, whose original year is sometimes debated but believed to be a 1950s Les Paul (possibly a 1952 or 1956 model), holds a unique place in Page’s arsenal. It initially had the classic gold finish and P-90 pickups typical of early Les Pauls. However, Page famously had this guitar refinished in a Cardinal Red colour, transforming its appearance significantly. He then out-fitted it with his signature Seymour Duncan humbuckers and incorporated a single push/pull phase pot. Similar to the modifications on his “Number One” Les Paul, allowing for a wider range of tonal options.

Later in its history, this Goldtop (now red) became known for sporting a prototype Les Paul B-Bender – a mechanism that allows for quick pitch bending of the B-string, typically seen on Telecasters. However, Page reportedly regretted this particular modification, claiming it negatively impacted the guitar’s weight balance and tone. Leading to it being largely decommissioned in that configuration.

Despite the later modifications, the “Number Three” Goldtop, particularly in its original configuration before the B-bender. A significant guitar for Page and featured in Led Zeppelin’s live performances and recordings during the 1970s. Its evolution reflects Page’s relentless experimentation and his desire to push the boundaries of what a Les Paul could do. The story of this guitar, from its original Goldtop finish to its custom red paint and intricate wiring, underscores Page’s innovative approach to his instruments.

1977 Gibson RD Artist

Used on-stage on Misty Mountain Hop at Knebworth in Aug. 1979

1993 Jerry Jones Double5 Longhorn

Used at NetAid on 9th October 99

Paul Reed Smith McCarty Model

Used during 1998 on the Walking Into Clarksdale tour

Acoustic Guitars – Jimmy Page guitar collection

Gibson J-200 – White Summer/Black Mountain Side on the Julie Felix Show Apr. 26, 1970

Martin D-28 1971

Gibson Everly Brothers

Giannini 12-String (GWSCRA12-P Craviola) – Aug. 1970 to June 1972

Harmony Sovereign H-1260 – June 1970 to June 1972

Washburn 12 String

Ovation 1994 Double Neck

Eko Ranger 12 – 1972 Australia tour

1920 Gibson A2 Mandolin – April 1977 to July 1977 for The Battle Of Evermore

Manson Custom Tripleneck  – Used in the No Quarter DVD and on-stage in 1995

As you can see the Jimmy Page guitar collection is quite extensive. Reports suggest that Jimmy Page owns over 1500 guitars, collected throughout his career. Also, it’s safe to say that Jimmy Page’s collection is one of the most extensive and significant in the history of rock and roll.

Hope you enjoy reading the list of Jimmy Page used Equipment and Jimmy Page used guitars.